Currently London's most admired agency, Adam&Eve DDB was created in 2012 from the merger of the existing DDB London office with fast-expanding independent Adam & Eve. Despite a long-established reputation for creative excellence, the performance of the London outpost of DDB Worldwide had declined significantly since the mid 2000s. Under its previous name of BMP DDB - and before that as Boase Massimi Pollitt - it had been one of the star agencies of the 1970s and 1980s. However, it struggled during 2006 with management problems and a string of account defections. Stability was restored in 2007, but although its creative output remained strong, DDB London seemed unable to restore its lost billings. It continued to tumble down the UK agency rankings. Those concerns were finally erased with what was effectively a reverse takeover of DDB London by Adam & Eve, a plucky independent that had launched four years earlier as a breakaway from what was then RKCR/Y&R. The merged Adam&Eve DDB has retained a position ever since as the UK's most admired creative agency, winning an unprecedented four Grand Prix at the 2014 Cannes Lions festival, and several more in the years since. A&E's four founding partners - CEO James Murphy, chief creative officer Ben Priest and planning partners David Golding and Jon Forsyth - stepped back from the business in 2016 following substantial earn-outs. They gradually departed Omnicom in pursuit of new ventures. Murphy and Golding were the last two to leave, and have announced plans to launch a new start-up creative business in 2020. Tammy Einav and Matthew Goff are now co-CEOs; Richard Brim is CCO supported by ECD Ben Tollett. A&E DDB also operates an office in New York, known as Adam&Eve NYC to avoid confusion with the main DDB outpost. DDB UK Ltd is the parent entity for Adam&Eve DDB, digital satellite Tribal London and production unit Gutenberg. It reported gross profit of £81.6m in 2018 and net of £7.0m. Nielsen (in Campaign) estimated billings for Adam&Eve DDB of £318m in 2018. That year, it was the first agency ever to be named as Campaign's Agency of the Year five times, and was the inevitable winner of Agency of the Decade in 2019.
Capsule checked 31st October 2018
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Historical profile information for Adam&Eve DDB
Adbrands Daily Update 3rd Dec 2019: "Moments In Between". There's a pleasing lightness of touch to H&M's laidback and chilled Christmas special, out of Adam&Eve DDB. It's a welcome respite from some of the other rather more frenetic seasonal spots, offering a succession of well-observed vignettes of everyday life at this unique time of the year. Presumably H&M is offering other such spots in other markets, because most of the slices of life contained here could only perhaps take place in urban Britain.
Adbrands Daily Update 14th Nov 2019: "Excitable Edgar". Well here it is. Somehow the arrival of the seasonal John Lewis ad has become the sign that Christmas is here, in the same way that the first cuckoo portends Spring. John Lewis and sister brand Waitrose are now working in tandem in marketing terms and this is their first joint Christmas ad. As usual, Adam&Eve DDB is the agency. It's not bad. Certainly better than past misfires like "Man on the Moon" and 'Moz the Monster". (And would be better still without that X Factor version of an already so-so song!). The problem for the John Lewis Partnership now is that expectations run so high each year that it's virtually impossible to surprise the audience, in the way that the best of the company's ads ("The Long Wait", "The Journey", "Monty the Penguin") did five or more years ago. As a result, there's clearly a temptation to settle for kids' fare like this rather than a film with slightly more grown-up edges. Still, if you keep the kids happy, the parents will be happy too.
Adbrands Daily Update 10th Oct 2019: "Marmite Mind Control". Adam&Eve DDB has unleashed the latest in their long-running lovers/haters campaign for Unilever's Marmite brand. That bitter black yeast spread is famously divisive. More perhaps than any other foodstuff, it's a product you either love or hate, and this has proved fertile ground for a succession of funny ads over the past few years. This latest offers the opportunity for haters to be converted to lovers through a semi-genuine hypnotherapy course. Haters can sign up online for a live event during which they will be experimented upon comedy hypnotist Rory Z Fulcher. It is, of course, all just a gag; but a funny one. Here's part of the hypnotism taster; there's also a more traditional TV ad.
Adbrands Daily Update 27th Sep 2019: "Wrong Breaks New Ground". Perhaps it's not that surprising that videogames - now the entertainment industry's biggest medium - now wield the kind of sponsorship budgets that until recently belonged only to sportswear giants. Adam&Eve DDB today unveiled a thrilling new film for EA's FIFA 20 which features cameo appearances from an enviable roster of football superstars including Eden Hazard, Raheem Sterling, Jadon Sancho, Megan Rapinoe, Vinicius Junior, French freestyle star Lisa Zimouche and, um... Anthony Joshua? Oh well, it'll make sense when you see it. Perhaps the most impressive change to the latest iteration of EA's long-running FIFA series is the rapid elevation of female players within the game since their first introduction in 2015. In a new blow to the glass ceiling, FIFA 20 even lets you create female managers.
Adbrands Daily Update 24th Sep 2019: "I Can Do Anyth-ing". Adam&Eve DDB's latest for Virgin Media is another colourful high-octane assault on the senses, depicting the multiple entertainment opportunities offered to one young Scouser girl from the high-speed cable service. The extraordinary versatility of modern day CG now allows real life video capture to be turned into a virtual cartoon, where literally anything goes and everything is possible. All a filmmaker - like this ad's director Raine Allen-Miller - needs is imagination. The results are exhausting but very impressive.
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