Adam & Eve DDB advertising profile at Adbrands.net

Adam&Eve DDB : advertising & marketing profile

Profile subscribers click here for full profile

Currently London's most admired agency, Adam&Eve DDB was created in 2012 from the merger of the existing DDB London office with fast-expanding independent Adam & Eve. Despite a long-established reputation for creative excellence, the performance of the London outpost of DDB Worldwide had declined significantly since the mid 2000s. Under its previous name of BMP DDB, it was the four-times recipient of Campaign's Agency of the Year award. However, the agency struggled during 2006 with management problems and a string of account defections. Stability was restored in 2007, but although its creative output remained strong, DDB London seemed unable to restore its lost billings. It continued to tumble down the UK agency rankings, ending up outside the Top 20 for 2010. It bounced back briefly in 2011 before losing two big accounts at the end of the year. Those concerns were finally erased with what was effectively a reverse takeover of DDB London by the Adam & Eve management team. The merged Adam&Eve DDB has retained a position ever since as arguably the UK's most admired creative agency, winning an unprecedented four Grand Prix at the 2014 Cannes Lions festival, and several more in the years since.

Selected Adam&Eve DDB advertising

Which clients does Adam&Eve DDB London handle? Find out more from Adbrands Account Assignments

Who are the competitors of Adam&Eve DDB London? See ranking of Leading UK Agencies

Subscribers only: Adbrands profile 
Account assignments & selected contact information

Adbrands Company Profiles provide a detailed analysis of the history and current operations of leading advertisers, agencies and brands worldwide, and include a critical summary which identifies key strengths and weaknesses. Adbrands Account Assignments tracks account management for the world's leading brands and companies, including details of which advertising agency handles which accounts in which countries for major markets. Subscribers may access the following website links:

Adam & Eve DDB London website

Parent

DDB Worldwide

Recent stories from Adbrands Weekly Update:

Adbrands Social Media 13th Aug 2018: Earlier this year, British bank Halifax moved on from splicing old Hanna-Barbera TV cartoons into its ads with a raid on the classic movie archives. The Wizard of Oz was the first film adulterated by Adam&Eve DDB to promote Halifax financial services. Now another family favourite - Ghostbusters -undergoes similar treatment. The digital wizardry required to combine new footage with scenes from the movie must already be hard enough. Even tougher was the airbrushing necessary to remove Bill Murray from the resulting film. Unlike Dan Aykroyd and the heirs of the late Harold Ramis, Murray was clearly unwilling to have his likeness co-opted. Who you gonna call? Bill Murray's lawyers probably. 

Adbrands Social Media 1st Aug 2018: Just over a week to go till the start of the new Premier League season! With the glories of the World Cup fresh in the public memory, Sky kicks off its recruitment drive for its unrivalled coverage of the season ahead with this fun spot from Adam&Eve DDB. Come on England (and Scotland and Wales and everywhere else)! Get on the phone and sign up for your subscription! The only downside, we'd argue, is the quality of the presenters. As the ad itself reminds us in its final frames, Chris Kamara - bless him! - is no match for the BBC's Gary Lineker.  

Adbrands Weekly Update 3rd May 2018: Ads of the Week "The Wizard of Halifax". If you love Judy Garland in The Wizard of Oz, you might want to look away at this point... You've probably already seen some of Adam&Eve DDB's past campaigns for UK bank Halifax, which have roped in characters from various Hanna-Barbera cartoons (like Top Cat, Scooby Doo and The Flintstones) and Thunderbirds. They've gone one big step further with this latest rights deal. Yes, it is some form of pop culture sacrilege, we agree. But you have to admire not just the chutzpah - to use an appropriately showbizzy term - of the concept but also the digital, um, wizardry that blends these two worlds so seamlessly. Horrible but also very very clever. 

Adbrands Weekly Update 5th Apr 2018: Ads of the Week: "The Running of the Horses". Call us hard-hearted but we feel Adam&Eve DDB's latest for Lloyds Bank overplays its sentimentality and its determinedly all-inclusive community spirit. Too many boxes ticked without any particular new wrinkle to the overall concept, other than scale. Previous campaigns added a different angle by introducing an individual black horse - Lloyds' long-standing brand mascot - to everyday settings like a hospital or a funeral. This time, A&E go all-in with a whole stable for an equine re-enactment of Chariots of Fire. Only the Vangelis music is missing. It looks spectacular of course, especially that final 30 seconds, thanks to masterful CGI we assume. But somehow there's something lacking; or maybe it's just too much of too much. 

Adbrands Weekly Update 22nd Mar 2018: Ads of the Week: "Spring Collection". The career resurrection of Winona Ryder gathers pace with a charming cameo in H&M's new campaign for Spring, from Adam&Eve DDB. Her appearance is the cherry on top of what is already a fabulously energising film, starring Elizabeth Olsen, and also featuring singer/songwriter Andrea Valle and supermodels Andreea Diaconu, Anna Ewers, Imaan Hammam and Naomi Shimada. Girl power indeed. And shot in the heartland of tango on the street of Buenos Aires. Our particular favourite touch is that brilliant use - or rather ab-use - of the letterbox format. Great effect. Get up and dance! 

More about Adam&Eve DDB from Adbrands Weekly Update

Subscribe to Adbrands.net to access the full profile and account assignments


All rights reserved © Mind Advertising Ltd 1998-2018