TBWA is the youngest of the three global advertising networks within the Omnicom group. It is positioned as an alternative agency brand, with a reputation for quirky or "disruptive" work. "Disruption" has indeed become the agency's over-riding concept, crystalising a process of challenging or overturning existing conventions about brand marketing in its creative work. TBWA is best known for its work for keystone clients such as Absolut (until 2013), Nissan, Adidas and especially Apple, for whom it has created a series of iconic marketing campaigns stretching back almost 30 years. First established in France in 1970, and acquired by Omnicom two decades later, the agency expanded rapidly during the 1990s to become a worthy partner to BBDO and DDB. Two key developments in the growth of TBWA were its merger with Los Angeles agency Chiat Day in 1995 - its US offices retain the TBWA Chiat Day name - and with Anglo-French network GGT BDDP three years later.
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Adbrands Social Media 12th Jul 2018: Ads of the Week "Introducing the Nissan Kicks". Nissan is launching the Kicks, a new sporty crossover, in Western markets to sit alongside the Juke. (Actually the car has been available for a couple of years already in Latin America). Here's its US launch campaign from TBWA New York. Nissan marketing chief Jeremy Tucker told AdAge the ad was conceived in reverse, from the ground up, a bit like the ad itself. They started by choosing the soundtrack song - 'Strange' by Louis & the Child - and then designed the ad to fit the music. Very appropriate since one of the car's biggest USPs will be that brilliant Bose head-rest with speakers built-in. Now that is really cool!
Adbrands Weekly Update 12th Jul 2018: Ads of the Week "Memory". Apple's marketing can often be full of surprises. This campaign - co-developed as usual with TBWA\Media Arts Lab - is unexpectedly theatrical and tongue-in-cheek. Quite a change of tone and pace from the usual funky millennial vibe that the company usually deploys. Yet entirely suitable given the subject matter. We all know how high-pressure it can be to juggle all those online passwords in your head. How much simpler to give your brain a day off and just just let you face do the hard work. Lots of lovely little touches throughout. For example, have a close look at the big clock for one throwaway detail: that little face peeking through in aghast suspense.
Adbrands Weekly Update 21st Jun 2018: TBWA Chiat Day picked up an intriguing brief from Fox Networks Group, the broadcast division of 21st Century Fox. According to a story that first ran in entertainment trade paper Variety, TBWA has been commissioned to produce a series of inspirational videos about people who have overcome adversity, which will run as traditional inventory in ad breaks with sponsorship from marketer clients. The films, which will run under the banner of "Unbreakables", are intended to serve as entertainment content in their own right. "Fox wants to do something other than interrupting people," says Theodor Arhio, TBWA's global director of creative and content. "People in the United States are looking for inspiration as much as for information," he says. "If you have a life-altering event, you want to know as much as you can. You want to know how you can make it. You want to know how other people can make it." The ads will be distributed across the main Fox network and cable sisters Fox Sports, FX and National Geographic, on TV and on digital and social channels.
Adbrands Weekly Update 21st Jun 2018: Cannes Lions 2018. The first batch of winners were announced from Cannes Lions 2018. (See the full run-down, including all the Gold, Silver and Bronze winners at the Cannes Lions 2018 website). By the halfway point, Apple had already collected two Grand Prix, along with plenty of metal awards, and more no doubt still to come. Apple may have missed out on the top award in Film Craft but TBWA's "Barbers" ad collected several metal prizes. Apple made up for that with a Grand Prix in a new - or at least improved - category, Brand Experience & Activation, which replaces the old Promo & Activation award. The deserving winner was Apple Stores. Apple also took one of two Grand Prix in Entertainment for Music with "Welcome Home", the wildly popular Spike Jonze film featuring dancer FKA Twigs, from TBWA\Media Arts Lab (an Ad of the Week here in in March. That same campaign also collected a Gold, two Silvers and a Bronze in the same category under different craft headings.
Adbrands Weekly Update 29th Mar 2018: Ads of the Week "Homework". How many ads is that from Apple in the space of a single week? Yet another drops today, and in our humble opinion, it's the best so far, topping two predecessors "Fly Market" and "Unlock"; and maybe even that delightful "Welcome Home" spot a fortnight ago. Why? Because it doesn't waste its time with the "aren't we clever" navel-gazing to which Apple is so prone, but instead tells a convincing story of how the newest and most affordable iPad - unveiled this week - can enrich and transform the schoolday experience of this unruly bunch of would-be dropouts. And what a cleverly conceived gang of everyday misfits they are too. It's like a real-world Stranger Things, but now the kids are fighting a homework assignment not the Demogorgon. Seriously, they could make a TV series with this lot. You never know these days if these ads are produced inhouse at Apple or by TBWA\MAL. We'd put £10 on TBWA for this one.
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Free to all users | see full profile for current activities: TBWA was formed in January 1970 by Bill Tragos, an American-born executive at Y&R's Paris office, together with three colleagues, Frenchman Claude Bonnange, Swiss-born Uli Wiesendanger and Italian Paolo Ajroldi. ''I think it's fair to say it's the only agency founded with four passports,'' Tragos later claimed. The partners set out to develop a European agency which operated in the aggressive and creative American style. By the late 1980s, Tragos had expanded TBWA's profile dramatically, opening a string of offices across Europe, as well as a small base in New York from the acquisition of two small creative shops, Baron Costello & Fine in 1977 and Flaherty & Co in 1981.
Primarily, though, the agency boasted that its growth had been entirely organic. "Built not bought", as Tragos put it. In the process, TBWA had attracted the attention of Omnicom, the recently created agency giant which owned the DDB and BBDO networks. The campaign which launched Absolut, a previously unknown Swedish vodka, garnered plaudits all over the world as one of the most innovative and creative campaigns of the decade. In 1990, Omnicom bought the fledgling network and supported further growth. This included the formation in 1992 of a joint venture with Japan's Hakuhodo, initially named TBWA\H, to handle part of the Nissan Motors European account. By 1995, TBWA had offices in 34 countries, the world's 14th largest agency, but still with a distinct international focus - only a quarter of revenues came from the US.
The answer lay with West Coast agency Chiat\Day. Founders Jay Chiat and Guy Day had each started their own creative agencies during the mid-1960s but joined forces in 1968 under the Chiat\Day name. (According to legend, they flipped a coin to decide who would be named president. Day lost the toss, and assumed the title, allowing Chiat the freedom to devote himself to creative work). By 1980, that shop had become one of the most admired in the US as a result of work for clients including Honda and Energizer batteries, for whom it created the Energizer battery bunny. However, Chiat\Day truly became the toast of the industry after launching Apple computers with Ridley Scott's celebrated "1984" ad. Ironically, that film was almost canned before it was ever shown. Commissioned to run during the 1984 Super Bowl, Apple's management team was horrified when it first saw the finished 60-second ad. Initial testing of the ad with consumers before it aired seemed to suggest it would flop and at the 11th hour Chiat\Day was instructed to pull the two slots booked and try to sell them to another advertiser. However, according to legend, Apple's semi-retired co-founder Steve Wozniak loved the film and volunteered to pay for half of the cost himself. The resulting ad defied market testing and was greeted with industry-wide acclaim. However, despite the enormous acclaim generated by the 1984 ad, the computer company moved its business two years later to BBDO, partly because Chiat didn't have an international network, but also because a follow-up commercial, Lemmings, really did turn out to be a flop with customers. Another star account, Nike, also moved on despite a stunning set of ads to promote its fast-expanding portfolio of sports celebrities endorsements.
Seeing the problems inherent in its US-centric positioning, Chiat\Day began exploring the possibility of international expansion later that decade. Talks were begun with BDDP and CDP of the UK, but stalled over terms. Finally, Chiat\Day agreed a deal at the end of the decade to acquire Australian creative boutique Mojo, which also had a small outpost in London. However the early 1990s were difficult for Chiat\Day. Its Australian and UK outposts both under-performed - neither was able to pick up the local portion of key US account Nissan - and leadership of the US agency suffered from friction between Jay Chiat's two most senior managers, creative director Lee Clow and account director Bob Wolf. (Guy Day had retired in 1986, and died in 2010). There were also account losses, including Reebok, picked up as a replacement for Nike in the late 1980s but finally lost in 1993.
Rumours of a sale of Chiat\Day began to circulate the same year. A major contributing factor was a fast-approaching deadline for repayment of a $50m refinancing bond taken out at the end of the 1980s. To raise cash, the Australian outpost of Mojo was sold to FCB in 1992 (it eventually ended up in Publicis as a result of those two group's acrimonious divorce), but talks to merge Chiat\Day with other independent agencies failed to reach agreement. Finally, in 1995, Chiat\Day secured a deal to sell out to Omnicom, just as its bond repayment fell due. The US shop was merged into the TBWA network. It was neat fit - TBWA already managed the Nissan Motors account worldwide outside Japan except in the US, where Chiat\Day held the account. Jay Chiat retired from the business and died in 2002.
The subsequent absorption of GGT and BDDP (see separate profiles) gave the new TBWA Worldwide entity billings of some $6.4bn by 1999. But the enlarged network also contained also numerous several differently branded agencies in different countries. A particular problem was London, where TBWA had already had to deal with fierce resistance to takeover from the UK arm of Chiat\Day, which instead broke away to become St Luke's. The first step towards consolidation of the UK portfolio was the merger of the GGT and TBWA London offices in 1998.
Also in 1998, TBWA took a 70% stake in Japanese agency Nippo, previously controlled by its client Nissan. Nippo was then the country's 16th biggest agency with billings of $311m. Just over a year later, as part of its continuing drive to capture a bigger slice of the Nissan business, TBWA proposed the extension of their European joint venture with Hakuhodo to cover the car company's global account. After months of negotiation, this was finally agreed in 2000, under the name \G1 Worldwide.
In late 2000, the agency formally adopted the TBWA\ brand worldwide, instructing all of its subsidiaries to change their names to the new format. The first to seize the opportunity was the UK office, which dropped its mouthful moniker of TBWA GGT Simon Palmer to become simply TBWA\London. Former GGT founder Mike Greenlees, previously worldwide president & CEO of TBWA, moved to a more senior role at Omnicom in early 2001, and was replaced by Jean-Marie Dru, previously president & CEO International.
In 2005, Dru was widely tipped to replace Alain de Pouzilhac as chairman & CEO of rival group Havas. Dru was strongly tempted, but after two weeks of press speculation as well as intense lobbying from TBWA and Omnicom colleagues, he declined the Havas offer. Also during 2005, the president of TBWA\New York, Shona Seifert, resigned after she was found guilty of conspiring to defraud the US government's ONDCP unit in her previous employment as president of Ogilvy & Mather in New York. See full profile for current activities
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